Collective exhibition, through August 17, 2014

Caribbean: Crossroads of the World will highlight over two centuries of rarely seen works—from paintings and sculptures to prints, photographs, installations, films, and videos—dating from after the Haitian Revolution to the present. This exhibition employs an inter-disciplinary approach to advance our understanding of the Caribbean and its artistic heritage and contemporary practices. It focuses on four central themes: Fluid Motions, Counterpoints, Shades of History, and Kingdoms of this World. These interconnected frameworks allow insight into the complex context from which the vital and varied artistic production of the region has emerged, illuminating the multiple histories of the region.

Renée Cox, Redcoat, from Queen Nanny of the Maroons series, 2004. Courtesy of the artist

Renée Cox, Redcoat, from Queen Nanny of the Maroons series, 2004. Courtesy of the artist

With over 150 objects, Caribbean: Crossroads of the World features a range of diverse media depicting images of and about the region. Artists who have lived and worked in the Caribbean, as well as artists living abroad who responded to the rich visual tradition and history of the area are shown side-by-side. This exhibition mixes historical work by artists such as Jacob Lawrence, Victor Patricio Landaluze, Camille Pissarro, Wifredo Lam, Amelia Pélaez, and Armando Reverón, with works by contemporary artists, including Allora and Calzadilla (Cuba), Janine Antoni (Bahamas), Renée Cox (Jamaica), and Ebony Patterson (Jamaica), among many others.

Ebony Patterson, Untitled Species I (detail), 2010-11 / Courtesy of the artist

Ebony Patterson, Untitled Species I (detail), 2010-11 / Courtesy of the artist

Pérez Art Museum Miami, 1103 Biscayne Blvd., Miami, USA.

Exhibition on view Tuesday to Sunday, between 10am – 6pm; except on Thursdays through 9pm, from April 18 through August 17, 2014.

http://www.pamm.org/exhibitions/caribbean-crossroads-world

Headline picture’s credits : Dudley Irons, Black Star Liner, 1995 © PAMM